Chris Waters Nashville Songwriter

Chris Waters Nashville Songwriter
By James Quillian, Economist, Political Analyst, Natural Law

I can’t say I know Chris Waters. I do remember him from high-school as Chris Dunn. He lived right around the corner from my family. We knew each other and had a number of conversations. I did play bass behind him in the school talent show.

What I do remember is that he was a good kid who got along with everyone, made good grades and seemed to be prone to independent thinking. I am not surprised that he did well in life. I would have figured he would have become a doctor or would have joined another profession. I am surprised that he became a songwriter. Although, he did have a great voice as a teenager Countless songwriters populate the USA and write songs their entire lives without ever getting one recorded. It is the near impossibility of doing so that amazes me.

His credits tell the story::His credits tell the story.

“Sexy Eyes” for Dr. Hook — a hit that crossed pop, AC, and R&B.
“Whoever’s in New England” for Reba McEntire — a defining early song that helped shape her rise.
“Cage the Songbird” and “Straight to the Heart” for Crystal Gayle.
“Fallin’ for You for Years” for Conway Twitty.
“Just a Woman” for Loretta Lynn.
“I Could Use Another You” for Eddy Raven.
“I’ve Cried My Last Tear for You” for Ricky Van Shelton.
“You’re Easy on the Eyes” for Terri Clark.
“She Never Lets It Go to Her Heart” for Tim McGraw.
“What I Really Meant to Say” for Cyndi Thomson.

Views: 0

Don Pack — The Man Behind the Counter

Don Pack — The Man Behind the Counter

I knew Don Pack when I was a teenager in the 60s. I took guitar lessons in his store back when Dellview Music was one of the few places in San Antonio where a kid could walk in, smell the wood, hear a chord ring out, and feel like music might actually be possible. Don was already the steady hand behind the counter — calm, patient, and completely uninterested in showing off.

Continue reading

Views: 4

The Rise of Luther Grimes

The Rise of Luther Grimes
By James Quillian,Economist, Political Analyst, Natural Law

There was a world‑champion hog caller named Luther Grimes. He traveled the countryside winning first‑place prize money in every contest he entered. Folks said he was unbeatable. Luther didn’t brag about it, but he was making a fine living calling hogs from one end of the state to the other.

One day a newsman stuck a microphone in his face and asked, “Luther, what’s your secret? You get those pigs excited and enthusiastic. They run to you like their lives depend on it. And all they ever get is one Oreo cookie — more often nothing at all. Do you have some kind of supernatural power?”

Continue reading

Views: 3

“Why Live Music Is About to Matter More Than Ever”

There’s a strange thing happening in the world of music. The more artificial everything gets, the more folks start craving the real thing. You can already feel it in the air. AI is pumping out songs by the truckload — perfect voices, perfect timing, perfect mixes — and somehow it all feels like eating plastic fruit.

Continue reading

Views: 8

The Piedmont Blūz Duo

 Keeping Old Truths Alive With Six Strings and a Washboard

Every now and then you run across a pair of musicians who aren’t just playing songs — they’re carrying history on their backs. That’s the case with Valerie and Benedict Turner, the husband‑and‑wife team known as the Piedmont Blūz Acoustic Duo. They travel the country (and a good bit of the world) doing something rare these days: teaching America where its music came from while entertaining folks at the same time.

Continue reading

Views: 8